{"id":4124,"date":"2023-03-22T13:49:28","date_gmt":"2023-03-22T04:49:28","guid":{"rendered":"https:\/\/c-mng.cwh.hokudai.ac.jp\/www.juris\/riilp\/?p=4124"},"modified":"2023-03-22T13:49:28","modified_gmt":"2023-03-22T04:49:28","slug":"ws2023-01-31","status":"publish","type":"post","link":"https:\/\/c-mng.cwh.hokudai.ac.jp\/www.juris\/riilp\/event\/ws2023-01-31.html","title":{"rendered":"\u77e5\u7684\u8ca1\u7523\u6cd5\u7814\u7a76\u4f1a(2023\/01\/31)"},"content":{"rendered":"\r\n
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Lynne A. Greenberg, The Art of Appropriation: Puppies, Piracy, and Post-Modernism, 11 CARDOZO Arts & ENT. L.J. 1 (1992)
E. Kenly Ames, Beyond Rogers v. Koons: A Fair Use Standard for Appropriation, 93 COLUM. L. REV. 1473 (1993)
William M. Landes, Copyright, Borrowed Images, and Appropriation Art: An Economic Approach, 9 GEO. Mason L. REV. 1 (2000)
Peter Jaszi, Is There Such a Thing as Postmodern Copyright?, 12 TUL. J. TECH. & INTELL. PROP. 105 (2009)
Amy Adler, Fair Use and the Future of Art, 91 N.Y.U. L. REV. 559 (2016)<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n<\/figure>\r\n","protected":false},"excerpt":{"rendered":"

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